June 30,
1958, release date
Directed
by Mario Monicelli
Screenplay
by Age-Scarpelli, Suso Cecchi D’Amico, Mario Monicelli
Based on
a story by Age-Scarpelli
Music by Piero
Umiliani
Edited by
Adriana Novelli
Vittorio
Gassman as Peppe
Renato
Salvatori as Mario Angeletti
Memmo
Carotenuto as Cosimo
Rossana
Rory as Norma
Carla
Gravina as Nicoletta
Claudia
Cardinale as Carmela Ferribotte
Carlo
Pisacane as Capannelle
Tiberio
Murgia as Michele Ferribotte
Gina
Rovere as Teresa
Gina
Amendola as Nerina
Marcello
Mastroianni as Tiberio
Totò as
Dante Cruciani
Distributed
by Lux Film
Big
Deal on Madonna Street is a charming film
noir: a heist film with a lot of humor and the most likable burglars. They are
living in postwar Rome, struggling to get by in uncertain times. They bungle
almost everything they plan together, however, like young boys who don’t know
any better and are probably not the best influences on each other. With all the
good humor and camaraderie, it’s difficult to find any angst in this film. The
jazz score by the composer Piero Umiliani keeps the mood light, too.
The film
opens with a nighttime city street scene. As the credits roll and the wonderful
jazz score plays, two men (Capannelle and Cosimo) walk down the sidewalk and
away from the camera. Cosimo keeps looking over his shoulder: He is waiting for
the right moment to steal a car while Capannelle acts as a lookout. Cosimo
finds his chance, but he botches the job by accidentally turning on the car’s
horn, which he cannot turn off. The jazz horn from the film’s score blends into
the sound of the car’s horn, and then the sound of the car’s horn blends into
the sound of a police siren. The two arriving police officers size up the
situation and start a foot chase. Cosimo gets out of the car and gets his coat
stuck in the car door, making it easy for the officers to catch up with him. This
first sequence in the film sets up humorous expectations for viewers about the
main characters at the outset.
(This
blog post about Big Deal on Madonna
Street contains spoilers.)
While in
prison for auto theft, Cosimo learns about what he thinks will be an easy heist
of a pawnshop on Madonna Street. A series of double dealings result in others
learning of the plot and taking it over from him. Cosimo is forced into petty
crime, which leads to the one point in the plot without humor: Cosimo is run
over by a streetcar when he runs in front of it after trying to steal a woman’s
purse.
The remaining friends
(Peppe, Capannelle, Michele
Ferribotte, and Tiberio) continue with
their plans to break into the pawnshop on Madonna Street. Anything and
everything thwart the group’s planned heist. They break down the wrong wall: They’ve gone from the
dining room to the kitchen in the same apartment, not to the pawnshop next
door. They become distracted and start eating the food, including the pasta and
beans, left behind in the apartment. Capannelle accidentally sets off a small
explosion because the others nicked the gas pipe. All of them live their lives at the whim of fate and at
the mercy of their good-natured ineptitude. But audiences at the time might
have found it especially easy to identify with them: Many of the scenes in Rome
show the effects of war in the background, and everyone at the time probably had
to make do with what they could find.
Events go well for
these friends only when they give in and accept the circumstances that fate
hands to them, which usually involves falling in love when they didn’t expect
it or landing a job they didn’t realize was available. Big Deal on Madonna Street ends with a shot of a newspaper article with the
following headline:
I
SOLITI IGNOTI
Col
sistema del buco rubano pasta e ceci
PERSONS UNKNOWN
Bore a hole to steal pasta and beans
The
police are still investigating a strange burglary from last night. A group of
thieves broke into an apartment in Via delle Madonna, through a window
overlooking the . . . .
Almost
sixty years after the release of Big Deal
on Madonna Street, I read this newspaper excerpt on the screen secretly hoping
that the group of friends were never found by the police and could continue
with their lives, happy and prosperous. My guess is that the director Mario
Monicelli felt the same way, too.
According to
Wikipedia, two sequels to Big Deal on
Madonna Street were released. Audace
colpo dei soliti ignoti (released in English as Hold-up à la Milanaise)
was released in 1960; it was directed by Nanni Loy. Another sequel, I soliti ignoti vent’anni dopo, was released
in 1987; it was directed by Amanzio Todin. The latter was released on DVD in
the United States as Big Deal on Madonna Street—20 Years Later. Two
remakes of the film were shot in the United States: the 1984 film Crackers directed by Louis Malle, and
the 2002 film Welcome to Collinwood,
directed by Anthony Russo and Joe Russo.
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