October
15, 2003, release date
Directed
by Clint Eastwood
Screenplay
by Brian Helgeland
Based on
the novel Mystic River by Dennis
Lehane
Music by
Clint Eastwood
Edited by
Joel Cox
Cinematography
by Tom Stern
Sean Penn as James “Jimmy” Markum
Jason Kelly as young Jimmy Markum
Tim Robbins as Dave Boyle
Cameron Bowen as young Dave Boyle
Kevin Bacon as Detective Sean Devine
Connor Paolo as young Sean Devine
Laurence Fishburne as Detective
Sergeant Whitey Powers
Marcia Gay Harden as Celeste Boyle
Laura Linney as Annabeth Markum
Tom Guiry as Brendan Harris
Spencer Treat Clark as Ray Jr. “Silent Ray” Harris
Andrew Mackin as John O’Shea
Emmy Rossum as Katie Markum
Kevin Chapman as Val Savage
Adam Nelson as Nick Savage
Robert Wahlberg as Kevin Savage
Cayden Boyd as Michael Boyle
Tori Davis as Lauren Devine
Produced
by Village Roadshow Pictures, Malpaso Productions, NPB Entertainment
Distributed
by Warner Bros. Pictures
Fate
plays a large role in Mystic River,
which is a moving story of three men, Dave Boyle, Jimmy Markum, and Sean
Devine, who were childhood friends and still live in the same Boston
neighborhood. For me, the story is mostly Dave Boyle’s, and fate hangs particularly
heavily over him. It affects other characters, too: For example, fate brings two men, two strangers, to the boys’
street at the beginning of the film, when the main characters were still
children. In the present, fate brings Katie Markum, Jimmy’s daughter, to the
street where two boys are “playing” with a gun.
Mystic
River opens with a
flashback, back to the day that young Dave Boyle was kidnapped. The colors are
muted, and the lighting is soft. I kept thinking that the director, Clint
Eastwood, managed to shoot all the opening scenes on cloudy days. The softness
of the lighting could be interpreted as a
way to distort and to create doubt because memory, fear, and guilt are involved
in the boys’ childhood story. Certainly Dave’s story is filtered through his
grief and pain.
(This blog post
about Mystic River contains
spoilers.)
Dave Boyle is the
most complicated character and the one that the other characters in the film
have the most trouble with. He was the victim of terrible crimes (kidnapping
and sexual assault) when he was young, and everyone in the neighborhood seems
to blame him (the victim)—and to continue to blame him. His situation stands in
stark contrast with Katie Markum. Both are victims of crimes, but the other
characters feel sympathy and sorrow for Katie. Dave is still alive, and he is a
constant reminder to everyone of something they don’t know how to deal with and
don’t want to think about. Katie Markum has been murdered and is automatically
assumed to be a blameless victim. The state police detectives, including Sean
Devine (one of the three childhood friends), investigating her death have great
sympathy for her and her family:
•
State police officer (Tom):
“We found the registration in the glove box. The owner is Katherine Markum.”
•
Sean Devine: “Oh, sh--.”
•
Whitey Powers, Sean’s
partner: “You know her?”
•
Sean: “Maybe. Might be the
daughter of a guy I know.”
•
Tom: “We found a wallet and
a license in a backpack on the floor. She’s nineteen.”
•
Sean: “Oh, f--k, that’s
her.”
•
Whitey: “Is it a problem?
You close with the guy?”
•
Sean: “When we were kids.
Now it’s just ‘hello’ around the neighborhood.”
•
Whitey: “Nineteen. F--k.
He’s in for a world of hurt.”
Dave, on
the other hand, seems to know that no one wanted to hear what happened to him
and that no one knew how to help him. He and his wife Celeste talk about Katie
Markum’s murder and the fact that Sean Devine asked Celeste about Dave’s
whereabouts the night that Katie was killed. This is the night that Dave begins
to open up about his past:
•
Dave: “Henry.”
•
Celeste: “What? Henry?”
•
Dave: “Henry and George. I
never told anyone that before. Those were their names. Isn’t that f--king
hilarious? At least that’s what they called themselves, but they were wolves,
and Dave was the boy who escaped from wolves.”
•
Celeste: “What are you
talking about, Dave?”
•
Dave: “I’m talking Henry
and George. They took me on a four-day ride. They buried me in this ratty old
cellar with a sleeping bag. And, man, Celeste, did they have their fun. And no
one came to help old Dave then. Dave had to pretend to be somebody else.”
•
Celeste: “You mean all
those years ago when you were a little boy? Dave—”
•
Dave: [pushes Celeste’s
hand away from him] “Dave’s dead. I don’t know who came out of that cellar, but
it sure as sh-- wasn’t Dave! . . .”
The
result of the conversation is that Celeste is now frightened of her husband.
She doesn’t realize or understand how much he is suffering in the present from
traumatic events in the past.
Dave Boyle’s
loneliness is unique because of his childhood experiences, but he is close to
his son. He also protects a stranger from a pedophile behind McGill’s bar.
Dave’s actions are misunderstood because he has trouble explaining what
happened, and his actions eventually bring him down. His friends and neighbors
are willing to jump to conclusions about him because he suffers from
post-traumatic stress disorder (PTSD). They find it hard to trust him. Celeste
Boyle doesn’t know where to turn when she starts worrying about her husband’s
state of mind. She makes a poor choice in the film, but it’s not out of good or
evil intentions.
Jimmy Markum, one
of the most menacing characters in Mystic
River, always acts on his assumptions, before he has actual proof. He may
love his daughter and his family, but he runs the neighborhood with the help of
the Savage brothers. They do Jimmy Markum’s bidding and his dirty work, which
involves murder if Markum deems it necessary. His wife, Annabeth Markum, could
be considered a femme fatale. She gives a chilling speech to her husband after
they learn the truth about Katie’s murder and they are alone together. Viewers
don’t learn what Annabeth is capable of until the final scenes of the film, but
she is propping up her husband all the same while knowing full well what he is
capable of and what he has done.
Dave Boyle isn’t
the only character to be jarred by fate, and he isn’t the only one to suffer
from loneliness. In spite of his bravado and his violence, Jimmy Markum is
alone in his grief about his daughter Katie. He had felt so close to her, but
he learns during the murder investigation, to his surprise, that he didn’t know
her very well. He discovers details about her life and her plans only because
she was murdered.
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