Showing posts with label Gilda. Show all posts
Showing posts with label Gilda. Show all posts

Saturday, January 30, 2021

Affair in Trinidad (1952): Some World War II History Can Help

I wrote about Affair in Trinidad about three and a half years ago, and more recently someone left a comment, really a couple of questions, about a plot detail: “But why did Fabian want [Neal] Emery dead? Or have him killed?” I hadn’t seen the film in years, and I decided I was ready for another viewing because I was pretty sure that these questions had been answered in the film. Didn’t Neal Emery find out that Max Fabian was involved in international smuggling of state secrets and that’s what got him killed? Didn’t Fabian want Neal’s brother Steve Emery killed because he was digging into the circumstances of his brother’s death? And wasn’t Steve quickly becoming Fabian’s romantic rival for Chris Emery’s (Neal’s widow’s) affections? I decided to see the film again, just to be sure.

Click here for my first blog post about Affair in Trinidad.

It seems that I had made some assumptions about Neal Emery’s death based on a bit of knowledge about U.S. history—World War II history in particular. After seeing numerous films noir and other classic films from the war era, my curiosity about certain historical topics and issues led me to do some research. And after seeing Affair in Trinidad again, I found out I needed just a little more background information. Viewers in 1952 would not have needed to do the kind of research that I needed to do. The writers of the film’s screenplay could assume that viewers knew a lot of background information because, for them, many of the film’s details would have been current events, maybe even very similar to their own experiences, not a lesson in history.

(This blog post about Affair in Trinidad contains spoilers.)

Neal Emery, Chris’s husband, is already dead, murdered, at the start of Affair in Trinidad. His death is first thought to be a suicide, but the coroner discovers that he died of blunt force trauma to the skull. Mr. Anderson, from the U.S. consulate, is summoned to Inspector Smythe’s office because Neal Emery is a U.S. citizen living in Trinidad. Inspector Smythe, who works for the British government because Trinidad is under British rule, suspects Max Fabian, or someone close to him, in Neal’s death. Neal Emery and Max Fabian were friends, and Fabian is attracted to Neal’s wife Chris.

The film explains that Trinidad and Tobago are owned by Great Britain. Because he is already under suspicion, Max Fabian is known to the British authorities in Trinidad. Viewers in 1952 would have known that Great Britain and the United States were on friendly terms and would not have been surprised that the U.S. consulate would have become involved in the investigation surrounding Neal Emery’s death. Great Britain, France, the United States, and the Soviet Union were World War II allies. The Soviet Union was breaking away from its wartime alliance after the war, but the remaining three allies were still working together on the international stage to keep the peace and root out Nazism. Many Nazis had escaped from Germany after the war and were hiding in South America and the Caribbean.

Steve Emery, Neal’s brother, flies down to Trinidad because Neal wrote a letter inviting him and because Neal has found a job for Steve. Steve Emery’s first appearance in the film is on the plane traveling to Trinidad. He is sitting next to Peter Bronec, although Bronec doesn’t identify himself at this time, and Steve and viewers don’t know who he is. Steve talks about his younger brother Neal, and the passenger says that he doesn’t know Neal, but he acts suspiciously after his conversation with Steve. Even the flight attendant notices Bronec’s behavior and inquires about him.

After Neal’s death, Fabian feels free to pursue the widow Chris, so he is not too happy to hear that Neal’s brother has arrived on the island asking questions. But he invites both Steve and Chris to dinner at his home. Additional houseguests arrive while Fabian is entertaining Chris and Steve for dinner, and Fabian introduces all his guests in one scene:

◊ Peter Bronec is an electronics and radar specialist. (Steve Emery recognizes Bronec as the passenger sitting next to him on the plane.)

◊ Dr. Franz Huebling has written articles about V-2 rockets just after World War II. (Steve Emery recognizes Huebling’s name and knows that Huebling has written these articles. Steve Emery mentioned on the plane trip to Trinidad that he is a pilot and flew a B-29, so he knows something about the subject of Huebling’s articles.)

◊ Veronica Huebling is Franz’s wife.

◊ Walters is working for an unnamed government that has paid huge sums of money to Max Fabian for industrial and technological information and secrets. (Viewers learn later in the film that this unnamed government is hostile to the United States.)

Steve Emery mentions that he flew a B-29, and Huebling says that he wrote articles about V-2 rockets. Viewers in 1952 wouldn’t have needed more information to know that Emery is a World War II veteran and that Huebling is a German scientist who had worked for the Nazi government. A modern-day viewer like me, however, had to do a little bit of research to find out more about these plot details. An online search led me to britannica.com (click on each list item for more information):

◊ V-2 rocket:

“In German, Vergeltungswaffen-2 (“Vengeance Weapon 2”), also called V-2 rocket or A-4, German ballistic missile of World War II, the forerunner of modern space rockets and long-range missiles.”

◊ B-29 plane:

“Also called the Superfortress, a U.S. heavy bomber used in World War II. Its missions included firebombing Tokyo and other Japanese cities and dropping atomic bombs on Hiroshima and Nagasaki, Japan, on August 6 and 9, 1945, respectively.”

Inspector Smythe is already investigating Max Fabian. He tells Chris Emery what he knows about Fabian’s activities and his involvement in the trade of international government secrets. Inspector Smythe also knows about Steve Emery’s arrival in Trinidad because he is keeping an eye on all arrival lists from the customs office. He needs to do a thorough background search on Steve Emery before Emery can be a trusted participant in his investigation. Inspector Smythe is more than willing to use Chris Emery as a spy because it is common knowledge that Fabian is attracted to her.

The reason(s) why Max Fabian had Neal Emery killed are not stated directly in the film. But I think the plot details give vital clues—details that would have been obvious to contemporary filmgoers but not to modern viewers. Neal Emery had found out that Max Fabian was involved in smuggling of some sort. He knew that Fabian had at least one private plane and that is why he had asked Fabian to hire his brother Steve, who is an experienced pilot. Whether Neal knew about the smuggling of state secrets isn’t important: He was asking questions and that was dangerous enough. Fabian wants Neal’s brother Steve Emery killed because Steve is digging into the circumstances of his brother’s death—and he becomes Fabian’s romantic rival for Chris Emery’s affections. Although the specific details are a bit different, Fabian wanted both brothers killed for the same general reasons.

It's also common knowledge that Fabian has resorted to violence and will do so again to get what he wants:

◊ Neal Emery is murdered, most likely by someone working for Max Fabian.

◊ Peter Bronec is killed, run over by a car at the airport. Bronec had finished his work for Fabian and was no longer useful to him. The fact that Wittol’s car (Wittol is the owner of Club Caribe in Trinidad) was used in the murder is probably a way to frame Wittol instead of anyone connected to Max Fabian.

◊ By the end of the film, Fabian has plans to kill both Steve and Chris Emery. Once he discovers that Chris has been using his affection for her to spy on him, she becomes expendable, too. Steve has been expendable all along because he has been asking too many questions.

One tiny detail that I couldn’t find any information about occurred during Steve Emery’s plane conversation with Peter Bronec. Steve is excited about visiting his brother in Trinidad:

• Steve Emery: “They tell me Trinidad makes the rest of the tropics look like Callahan’s backyard.”

• Peter Bronec: “Yes, it’s very beautiful.”

It’s clear that “Callahan’s backyard” is something everyone in 1952 knew something about, but I couldn’t find anything at all about it. If anyone wants to solve this last piece of the film’s puzzle by leaving a comment, I would be grateful.

Thank goodness for the ability to search online because I was able to find out a lot of information very quickly. A little bit of knowledge about World War II history helps a lot when it comes to understanding the plot of Affair in Trinidad.

July 29, 1952, release date  •  Directed by Vincent Sherman  •  Screenplay by Berne Giler, James Gunn  •  Based on a story by Virginia Van Upp, Berne Giler  •  Music by George Duning  •  Edited by Viola Lawrence  •  Cinematography by Joseph Walker

Rita Hayworth as Chris Emery  •  Glenn Ford as Steve Emery  •  Alexander Scourby as Max Fabian  •  Valerie Bettis as Veronica Huebling  •  Torin Thatcher as Inspector Smythe  •  Howard Wendell as Anderson  •  Karel Stepanek as Walters  •  George Voskovec as Doctor Franz Huebling  •  Steven Geray as Wittol  •  Walter Kohler as Peter Bronec  •  Juanita Moore as Dominique  •  Mort Mills as Martin, Wittol’s henchman  •  Ralph Moody as the coroner

Produced by The Beckworth Corporation  •  Distributed by Columbia Pictures

Monday, October 8, 2018

Affair in Trinidad (1952)

July 29, 1952, release date
Directed by Vincent Sherman
Screenplay by Berne Giler, James Gunn
Based on a story by Virginia Van Upp, Berne Giler
Music by George Duning
Edited by Viola Lawrence
Cinematography by Joseph Walker

Rita Hayworth as Chris Emery
Glenn Ford as Steve Emery
Alexander Scourby as Max Fabian
Valerie Bettis as Veronica Huebling
Torin Thatcher as Inspector Smythe
Howard Wendell as Anderson
Karel Stepanek as Walters
George Voskovec as Doctor Franz Huebling
Steven Geray as Wittol
Walter Kohler as Peter Bronec
Juanita Moore as Dominique
Mort Mills as Martin, Wittol’s henchman
Ralph Moody as the coroner

Produced by The Beckworth Corporation
Distributed by Columbia Pictures

Glenn Ford and Rita Hayworth also star in Gilda, another noir favorite of mine. Gilda gets even more attention, it seems to me. Maybe because Gilda was released first. The plot in both films is similar in many ways, but I think the international intrigue is explained more clearly in Affair in Trinidad within the context of the narrative. Modern viewers (me!) don’t need to search online to understand the intrigue and make sense of the plot.

Many bloggers and members of the Classic Movie Blog Association are celebrating Rita Hayworth for the 100 Years of Rita Hayworth blogathon, running from October 17 to 19, 2018. Click here to visit the blog Love Letters to Old Hollywood, which is sponsoring the event. And click here to learn more about the blogathon itself. Many thanks, Michaela!

Affair in Trinidad starts right away with the mysterious death of an American living on the island of Trinidad. He’s quickly identified as Neal Emery, the husband of Chris Emery. Chris Emery has gained some notoriety for herself as the dancer and singer at the Caribe, a local nightclub that seems to have a dubious reputation, although no one says exactly why that is. A local millionaire, Max Fabian, sees Neal’s death as his chance to woo Chris Emery, but Neal’s brother Steve shows up unexpectedly for a visit, and he decides to investigate his brother’s death. It isn’t long before he and Chris are attracted to one another. Just like Gilda, there is a love triangle, with one of the players (Max Fabian) a ruthless purveyor of government secrets on the black market.

(This blog post about Affair in Trinidad contains spoilers.)

Inspector Smythe investigates Neal Emery’s death and realizes that Neal was murdered. He too sees opportunity in Neal’s death, but for an entirely different reason. He wants Chris to lure Max Fabian into a romantic relationship and find out what she can about his activities on the island. He seems to have no qualms about putting the recently widowed Chris in danger. Here’s the way Inspector Smythe describes Fabian to Chris: “He [Max Fabian] is a man who deals in political intrigue, secret information, treason. A man who’s grown rich by exploiting trouble and unrest wherever they exist. During the last war [World War II], he recruited saboteurs for the enemy. He bought and sold vital military information for both sides. . . .” Here are examples of Max Fabian’s recent—and dangerous—visitors to the island:
◊ Walters is working for an unnamed government that has paid huge sums of money to Max Fabian for industrial and technological information.
◊ Peter Bronec is an electronics and radar specialist.
◊ Dr. Franz Huebling has written articles about B-2 rockets just after the war.
◊ Veronica Huebling is Franz’s wife and a scout for new bases of operations.
Chris is reluctant at first to take on Inspector Smythe’s task, but he confiscates Chris’s passport and so Chris doesn’t have much choice.

When Steve Emery meets Dr. Huebling, he recognizes his name and knows that Huebling has written articles. His knowledge about the articles and about flying (he served as a pilot in World War II), draw Max Fabian’s attention. He worries about Steve Emery investigating his brother Neal’s death and perhaps finding out too much about his own activities. Fabian and his colleagues have reason to worry: They are stealing technology secrets, improving on the work, and preparing to sell it to the highest bidder, even if it’s an enemy of the United States. Dr. Franz Huebling describes Bronec’s work as follows: “. . . The German V-2, of which we were so proud, was a kindergarten toy compared to this [his latest work]. With launching bases in the Caribbean, there is not a vital area in the United States that is not within striking distance. . . .”

Just like Gilda, Affair in Trinidad is about more than international intrigue. While Chris and Steve get busy trying to save the future of the United States from any more harm in a postwar world, they also find time to develop feelings for one another. The necessity of acting the spy forces Chris to be evasive, however, and the two have to wade through many misunderstandings and hurt feelings before they can finally trust one another, which is a lot like the plot of Gilda. The following conversation, for example, could have been taken from Gilda:
• Chris: “Steve, the things you believe about me, they’re not true.”
• Steve: “Forget it. You don’t have to account to me for anything.”
• Chris: “But I want to.”
• Steve: “Then why didn’t you tell me about the crest [on Fabian’s stationery and on his glassware], about Fabian, about everything? What is it between you and him?”
• Chris: “There’s nothing between us.”
• Steve: “Is that why he looks at you the way he does? Like he can’t wait to get his arms around you?”
• Chris: “I can’t help how he looks at me. But his arms have never been around me. Nobody’s arms. Not for a long time.”
• Steve: “Not even Neal’s?”
• Chris: “Not even Neal’s.”
Glenn Ford even slaps Rita Hayworth across the face later in the film, at Fabian’s birthday party, just as he did in Gilda, in Ballin’s nightclub, when Gilda danced provocatively for all the nightclub guests.

I wrote about Gilda in October 2017; click here to read my blog post.

Dominique is Chris’s servant and plays the role of Greek chorus, explaining Trinidadian customs, commenting on Steve’s mistakes and social blunders, and noting Chris’s grief and need to move on—with Steve, of course. She encourages the budding attraction between Steve and Chris:
• Dominique: “Do you like him?”
• Chris: “Well, he seems very nice.”
• Dominique: “Well, I like him.”
• Chris: “That’s good.”
• Dominique: “This one is a man. The other was a shadow of him.”
• Chris: “Well, I hadn’t thought much about it.”
• Dominique: “Maybe it is appropriate that you should. I shock you, perhaps? When one day is over, another day begins.”
• Chris: “West Indian proverb?”
• Dominique: “West Indian household hint.”
Dominique doesn’t know about Inspector Smythe’s plans for Chris to act as a spy, but I doubt that would have changed her mind about Steve as a suitable partner for Chris. She plays the “wise native woman,” which seems outdated and even offensive to modern audiences, but her role in the film is nonetheless an important one.

Affair in Trinidad, although fraught with danger for both Chris and Steve, didn’t seem as frantic to me as Gilda did. Gilda was released in 1946, very soon after the end of World War II. The war was over, but the uncertainty about rebuilding Europe and transitioning to peacetime in the United States probably had a larger influence on the general atmosphere of uncertainty and menace in Gilda than it did in Affair in Trinidad. By 1952, the United States had more experience of the postwar period and was settling into its role as a superpower.

Both films are interesting to compare for the context in which they were produced and the story in each. And I would like to point out that both films can be enjoyed on their own, without any comparisons. Both are great stories with a lot of star power.